Zuzanna Janin

Zuzanna Janin deals with the subject of space, time and memory, as well as the problem of exclusion and absence. Creates sculptures, video installations and photographic and performative actions. The main theme of her work is a conceptual approach to the visualization of processes, changes, comparisons, continuity, what's "in between." The Artist transforms the fragments of private memory, emphasizing deep experience of her own and universalized them colliding with collective memory and images of universal history, the contemporary social and political problems. She is the author of the processual sculptures of wire and cotton candy Sweet Girl, Sweet Boy, Virtual Sex, spatial photographic installation Follow Me. Change Me. It's Time, 1995-1997 and the famous video installation FIGHT from 2001, which shows the Artist fighting at the ring with a professional boxer. She is the author of the various sculptuers, installations and video-installations including SHAME (Tar and Feathers), 2016 and the series of sculptures from epoxy resin Anthropocene Sculptures from 2014-2020 including Home Transformed into Geometric Solids from 2016-2018, as well as a photo-sculpture project on Facebook and online From the Serie Home Sculptures (rzezbydomowe.blogspot.com). She took a part i.e. in Sydney Biennial 1992, Istanbul Biennial 1992, Soonsbeek’93, Liverpool Biennial 1996, Łódź Biennale 2010, 54th Venice Biennale 2011 (in the programme of representation of Romania). She collaborates with lokal_30 gallery in Warsaw since 2005.